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There is No Perfect Wite-Out®, Only Perfect Wite-Out®s




I was using Wite-Out® today for the first time in years. As I painted out type, I thought for a moment what it might have been like to be a Wite-Out product manager 10 years ago. Imagine asking the user experience question: What bothers Wite-Out users about Wite-Out? What can we improve? The immediate replies that came to mind:

  • Waiting for the Wite-Out to dry
  • Clumpy application of the correction fluid after the first use; the fluid dries and sticks to the brush and the neck of the bottle
  • Having to paint over the same words two or three times because they show through even after the first application
  • The smell (some people like it, some hate it)

What jumps out here is that improvement in any one of the first three areas will have a negative impact on one or two of the others. If Wite-Out dried faster, it would dry (and clump up) on the bottle and brush applicator faster. If it clumped less, it would take more time to dry; it would also be a thinner fluid that would be less opaque once the liquid evaporated.It’s a no-win scenario, which is probably why there were no major changes in Wite-Out technology over the first 20 years of my life: the product designers had found the best balance — or perhaps the least-bad compromise — between drying quickly and maintaining wetness (smoothness), and were sticking to it. But it must have been frustrating if you were trying to make a better product and increase market share.I popped over to Bic’s Wite-Out site to have a look. Guess what? As of 1994, there are four different formulations of fluid Wite-Out: Quick Dry,  Super Smooth, Extra Coverage and Water Base (low odor). Hm.I suppose a cynic might say that there are four different packages for the same product, and the formulation label just panders to the public’s varying degrees of Wite-Out insecurity. In fact, the proliferation of Wite-Out recipes reminds me of Malcolm Gladwell’s classic statement from Howard Moskowitz that “There is no perfect spaghetti sauce. There are only perfect spaghetti sauces.” In The Ketchup Conundrum, Gladwell expresses it thus:

The answer appeared almost immediately: a specific recipe that, according to Moskowitz’s data, produced a score of 78 from the people in Segment 1.  But that same formulation didn’t do nearly as well with those in Segment 2 and Segment 3.  They scored it 67 and 57, respectively.  Moskowitz started again, this time asking the computer to optimize for Segment 2.  This time the ratings came in at 82, but now Segment 1 had fallen ten points, to 68. “See what happens?” he said.  ”If I make one group happier, I piss off another group.  We did this for coffee with General Foods, and we found that if you create only one product the best you can get across all the segments is a 60—if you’re lucky.  That’s if you were to treat everybody as one big happy family.  But if I do the sensory segmentation, I can get 70, 71, 72.  Is that big? Ahhh.  It’s a very big difference.  In coffee, a 71 is something you’ll die for.”

I’m guessing that a similar process went on at Bic: if you can’t actually improve a product’s features without making some other problem even more annoying, then instead of finding a compromise balance (as was done historically), optimize for each problem separately. Voila! Four kinds of Wite-Out.Of course, you can then go ask Barry Schwartz why having four correction fluid options won’t make your life happier…P.S.: I just realized that Wite-Out also now has a sponge-wedge tip instead of that inconvenient shaggy bristle tip. Nice!

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