User Experience designers talk about mobility meaning independence, individuality, and personal freedom. Or mobility meaning communication, income, and literacy.
What if mobility means you might be blown up by a terrorist? If mobility means vulnerability and insecurity? What happens when you combine a culture that glorifies charity with an environment of mortal vulnerability?
Israel is a country brimming with charitable acts. The phone book has 50 pages of free loan society (”gemach“) listings, offering interest- and payment-free loans of money, cell phones, baby strollers, pacifiers, Sabbath meals, medicines, photocopies, fax machines, tools… you name it.
The 600-pound gorilla of free loan societies is, of course, Yad Sarah, founded by Rabbi Uri Lupoliansky, currently mayor of Jerusalem. But gemachs are a common family activity.
It’s normal for Jewish homes worldwide to have one or more charity boxes, into which small change (usually) is collected over months or years, then picked up by the organization who owns the box. Our home currently has about five of them, including one shaped like a tractor to help support farmers during the sabbatical shemitta year.
A field between Jerusalem and Tel Aviv, left fallow for the Sabbatical (Shemitta) year.
A typically Israeli sight is that of charity boxes in public places — available should a sudden philanthropic urge strike, or you just have some spare change in your hand. Or you get nervous about taking public transportation.
Here’s a common one (affixed to a pole near a bus stop):
Here’s a collection box outside the counter of a downtown bakery (note that the money collected isn’t for the shop owner):
The translated sign reads: Hidden Charity — i.e., the donor and recipient don’t know one another, which is a more sensitive form of charity — for Sabbath charity and kindness to families blessed with many children (may they live long) in honor of the holy Sabbath and the holidays. [The money will be donated to] the charity [in honor of] Rabbi Meir Baal haNes and Rabbi Shimon bar Yochai, may their memories protect us. May you be blessed from on high with good fortune, blessing, and success.
Here’s one I saw just down the block from my home, also next to a bus stop, but somehow it has been grown right into the knot of a tree:
Seen in Narita Airport:
The English text of the sign reads: “If you don’t mind to discard the prohibited items such as knives, scissors and lighters. Please put them into this box.”
I wonder if anyone ever has? I assume that the items already within were planted there in advance. What would motivate someone to drop a forbidden item in the clear box rather than in a nearby garbage bin? (I can see the negative motivation, not to drop things in the box, because other people will see that you didn’t know not to bring those “dangerous” items along.) If the box’s purpose isn’t really to collect items, what is it? Perhaps it serves as an eye-catching early alert (before entering the security line) that allows people to save face by warning them that some items must be disposed of?
Seen recently at a security checkpoint in BKK (Bangkok’s Suvarnabhumi Airport*):
Using music stands as mobile desks makes perfect sense, but the musical decorations didn’t support the “fear and awe” that security should exude.
*maybe if I write it out enough times, I’ll actually remember the airport’s real name.
It’s well-known that travelers cluster around outlets in airports, circling like vultures to swoop down upon an available slot, and hoarding “good spots” until the flight boards. Some airports are more electrically friendly than others.
I think having to take the floor apart is a bit extreme.
Outlet desperation, seen recently at BKK (Bangkok’s Suvarnabhumi Airport):
Part I
I’m from Los Angeles. In L.A., we say “You are what you drive.” Sad, but true.
In a sprawling city with inadequate public transportation and a high average income, people go everywhere in their cars.
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When I was a child, the car was a vehicle. My grandparents had cars (one per family, not one per grandparent) with bench seats front and rear. I climbed in and sat between Grandma and Grandpa, and we talked while we drove. If it got hot, there were these neat triangular vent windows that popped open in back, and roll-down windows that took about five minutes to roll back up (and an equal amount of time to recover from). Maps went in the glove compartment. Eating and drinking in the car were not conceivable.
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When I was a teenager, the car had evolved to become a second home. My parents’ cars (one per parent) each had air conditioning, radio with five station memory buttons, power windows, console storage and a cupholder. The map was a fat Thomas Guide stuffed in the seat pocket behind the front passenger seat. That was new, too: the front passengers each had their own adjustable bucket seat (slide forward/backward and recline). We didn’t talk as much together in the car; we listened together to the radio. Usually the driver chose the station, so it was either news radio (both parents), sports, pop psychology, country music, golden oldies (dad), or classical music (mom).
By the time I finished school, the car had become an extension of self, part of a person’s identity. When you got your first drivers’ license, you started thinking about getting your own car. When my dad handed down his (totally cool) car to me, the first thing I did was earn the money to install a cassette player. I didn’t talk to anybody (car phones were so new that I only knew three people who had them, all in their forties), except sometimes my little brother, when I took him to school. When my first children were born, we drove and sang along to tapes and CDs.

Today, car interior design has gone farther than ever in cocooning the individual rather than the group: DVD players front and back, separate headphone jacks, individual climate control (front and back; driver and passenger). Second- and third-row captain’s seats. Cup holders in every door, seatback, and floor panel. iPod and mobile phone jacks. Memory storage of your seat’s height, location, and degree of lumbar support.
“You are what you drive.”
Step back for a moment, and you’ll see that these design trends paint a larger cultural picture. The car has moved from a shared space (bench seats, no entertainment, little customization) to a highly personal space that is unlikely to be shared. When it is shared (for example, in a family mini-van), every effort is made to create as much private space as possible (individual seats, individual climate control, individual cupholders, individual entertainment and entertainment controls).
It’s a very different attitude about the car and how you spend time in it.
To me, it’s speaks of a very Western interpretation of mobility: Freedom, Entertainment, Movement, Privacy, Independence. Mobility = Individuality.
Part II
This attitude and the design ethic it inspired isn’t limited to cars. It has been the driving force (sorry) in mobile phone design for years.
Listen to the usability experts up until about a year ago. Everything was about how “personal” the mobile phone is. Studies showing that a high percentage of people don’t feel comfortable sharing their phone, or letting someone even use their phone briefly. The personal messages, notes, contacts, call history, browser history, photos.
Even more, there’s a sort of personal identification and relationship with the phone itself. Going further, your mobile phone number is more meaningful that your social security number — it’s one of your names. Your mobile number represents you, unlike a landline number which represents a location, and doesn’t follow you around.
I have a book here on mobile phones in Japanese life called Personal, Portable, Pedestrian. That pretty much sums up what UI thinkers saw as being important to users.
It’s all true, but there’s a big problem with all this: it’s all based on “Western” cultures. Cultures in which individuality, freedom and personal space are high on the list of life’s priorities.
Paul Adams (User Experience Researcher, Google) at the MEX conference pointed out in his presentation that if you look at countries like India and China, there are people everywhere.
Americans look at these teeming masses and say, “chaos”. But it’s not chaotic to non-Western eyes. What we perceive as “chaos” may be perceived locally as “shared space”. Paul gave the example of Southwest Airlines’ seating system, which for years was a “first come-first served” arrangement, proven to be faster than assigned seating. For Americans, this was perceived as chaotic. We prefer assigned seats because we place so high a value on our unique, personal, private space. It defines us. (Southwest has since changed over to a numbered boarding order — with it’s own adorable website to explain it. Which already tells you something.)
But that isn’t necessarily true of people in other countries, other cultures. What is valuable to one person may be undesirable to another.
Even in our “own” Western culture, feelings about personal space are changing. Definitions of privacy (personal secrets that you share with 800 blog readers…), of space (virtual, real, contained within a particular device or account) are changing.
Spaces that were once shared (eg., living room, public bus) are now personal (iPod as a “sphere of isolation”, killing time with mobile broadband). Spaces that were once personal (eg., Walkman music player, internet browser) are now shared (sharing headphones, Zune WiFi, Facebook Wall, IM, location based services).
Part III
I just got a Nokia 1208 as a gift; an upgrade to my Kosher Phone account. (We’ll talk about kosher phones another time. Suffice it to say for now that a kosher phone is a phone with no data capabilities.)
If you’re reading this blog, a dual-band Series 30 phone [bet you thought S30 was extinct in the wild] probably isn’t on your mobile tech wish list. It’s three main selling points are:
* Get instant access to phone features [one programmable softkey]
* Add a little color to your life [lo-res color display and exchangeable color faceplates]
* Monitor and manage your costs [calling card tracking and call timers]
Notable features on the 1208 are an integrated LED flashlight on top (where some phones have the power button or IR window), speakerphone, support for multiple user contact lists, pre-loaded polyphonic ringtones, dust-resistant keypad, durable materials construction with non-slip backing, and a very long battery life (7 hours talk time / 15 days standby).
You may have noticed that the feature set doesn’t exactly match your checklist of phone features. That’s because the 1208 was designed for… well… less-developed countries. Despite the fact that its being sold everywhere (which is pretty interesting), priorities in the design were cost reduction, durability (many users, dusty climates) and sharability (if you can only afford to have one phone per household — or even per neighborhood — then making sharing easier becomes very important).
Which is exactly why the 1208 was on my Wish List; it’s a great example of the new attention being paid to read people, real cultures, real usage needs in the design of products and services. It has taken a long time to recognize that overall, we have enough feature. It’s about delivering them in a meaningful way, and hearing what people truly need.
It’s also about respecting other people enough to accept their own mobile identity definitions and priorities (family, community, participation, responsibility, communication), without trying to impose our “better” systems on them. In doing so, we honor others, while creating new design and product possibilities that benefit everyone.
Here are some of the best. (A few are classics, like Kevin Mitnick’s; others are new to me.)


Also, you might have a look at this great card — ready to assemble into a working Blue Box! If you don’t know what a Blue Box is, yet, then your adventure has just begun.
When I see a truly great business card, I always feel the urge to redesign my own. Hah. The shoemaker’s children go barefoot; the graphic designer never gets their own card printed. I’m always planning great cards… Good thing I got out of design, or I’d never have gotten some of my own.
…for example, if you’re working with text originally written by a non-native speaker of the language.
I wanted to change the setting on a very simple (kosher) Samsung flip phone, so that instead of answering calls automatically when I open the phone, it will only answer when I press the “call” button to accept the call (this gives me a chance to see Caller ID first).
I knew the setting was available somewhere. Well, I looked and I looked. I hunted through every possible menu (there aren’t many on this phone).
In desperation, I got help from an Israeli colleague, who found the setting in just a couple of minutes. It wasn’t obvious. The function can be found in the “Extra Settings” in the “Settings” menu — fair enough. But the function itself is called “Active Folder”.
As a native English-speaker, I understood “Active Folder” to mean “a group of files or functionalities that are activated”, and therefore didn’t select that function even when I saw it during my original hunt.
My English-as-a-second-language colleague understood “Active Folder” correctly: “the function triggered by folding the phone is active”.

Watching store/restaurant employees use infrared touch-screen point-of-sale (POS) terminals. The old technology isn’t always very responsive, often has low-resolution input, and runs slowly. Thus the following observed accommodation behaviors:
- Using a credit card instead of a finger
- Cutting fingernails to different lengths
- Pressing harder (irrelevant to an IR technology!)
- Pressing longer
- Pressing more often
- On the software end, designing extra-large icons, to reduce false positive inputs
I’ve talked about each of these stores before. A recent visit to London gave me the opportunity to visit both within a couple of hours, which led me to think about how the experiences in them compare.
Nokia Flagship Store: Dark. Threatening. Exciting. Intense. Deep.
Apple Flagship Store: Light. Friendly. Discovery. Validating. Transparent.
Entering the Nokia store is like entering a video game: It’s not clear where you’re going, you need to explore and discover the levels of play. There’s a tension and an anticipation, an expectation that something thrilling is about to be revealed. Handsets are displayed in closed Lucite boxes or on pedestals, adding to the sense of mystique, but also to the distance. The dark palette and oddly high proportions of the ceiling (think Gothic awe) create a feeling of dominance and control that promises treasures if you explore. Reinforcing that, the ultra-high-end Vertu products are hidden at the far back of the space. On the negative side, there is too much empty space. Now what? Is there enough product here? Am I looking at the “right” things?
Entering the Apple store is like entering a great candy store: No surprises, here are the products, here are the prices. Bright, light, clear. Despite the open appearance, the store is rather fully packed. The glass stairs lead to the second level with the promise of more great things to find. Even if you never climb the stairs, you are left with the invitation, and with the sense that there is even more to delight you. There’s a validation and confirmation of your decisions; you are never left wondering if you are in the right place. You can see everything on display clearly from any point in the store.
I’m not saying that one store is “better designed” than the other. They have very different atmospheres, which is interesting.
OK, so I wasn’t going to post anything today. I certainly don’t have time to write (I must get some sleep), but couldn’t resist sharing this YouTube link. Enjoy!
Of course, that those of us who use candy-bar form phones already have random dial functionality…
[via Fortune’s Apple 2.0 blog]
09 3rd, 2008








